Ryan Van Der Hout
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    Open a larger version of the following image in a popup: Ryan Van Der Hout, Fallen Fragment, 2024
    Open a larger version of the following image in a popup: Ryan Van Der Hout, Fallen Fragment, 2024
    Open a larger version of the following image in a popup: Ryan Van Der Hout, Fallen Fragment, 2024
    Open a larger version of the following image in a popup: Ryan Van Der Hout, Fallen Fragment, 2024
    Open a larger version of the following image in a popup: Ryan Van Der Hout, Fallen Fragment, 2024

    Fallen Fragment, 2024

    Iron, Formica, Pigment Print on Vinyl, Flocking, Plywood
    22" x 62" x 6"
    Series: More Important Than bread

    Further images

    • (View a larger image of thumbnail 1 ) Ryan Van Der Hout, Hovering Ark, 2024
    • (View a larger image of thumbnail 2 ) Ryan Van Der Hout, Hovering Ark, 2024
    • (View a larger image of thumbnail 3 ) Ryan Van Der Hout, Hovering Ark, 2024
    • (View a larger image of thumbnail 4 ) Ryan Van Der Hout, Hovering Ark, 2024
    • (View a larger image of thumbnail 5 ) Ryan Van Der Hout, Hovering Ark, 2024
    In the More Important Than Bread series, Van Der Hout uses challah, a ritualistically important bread eaten during Shabbat and Jewish holidays, as a scaffold to investigate trauma embedded within...
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    In the More Important Than Bread series, Van Der Hout uses challah, a ritualistically important bread eaten during Shabbat and Jewish holidays, as a scaffold to investigate trauma embedded within beauty. Cast in iron, these bodily abstractions of challah have fossilized. Each bread has transformed into hardened, sharp incarnations of their once soft, fluffy bodies. They seem to have been extracted from, or perhaps even forcibly find home within, nearby slabs that resemble slices of the earth; the negative space perfectly recalls the shape of each challah. Elegiac and deeply visceral, these reliquaries consider the transmutation of bread, body, ancestry, and religion on a geological scale.

     

    - Sarah Cho

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